On the occasion of the 49th anniversary of the release of the legendary martial arts novel “The Legend of the Condor Heroes” (October 24, 1969 – October 24, 2016), we invite readers to reflect on the profound impact of Jin Yong’s works. Below is an excerpt written by Jin Yong in the preface to the 1981 edition of “The Legend of the Condor Heroes.” For him, this work is the most significant throughout his literary career.
“The Legend of the Condor Heroes” was first serialized in Ming Pao starting on October 24, 1969, and concluded on September 23, 1972, totaling a continuous publication period of two years and eleven months. Previously, my habit was to write a chapter each day for the newspaper, so I ended up writing this novel continuously for two years and eleven months. Unless there were extraordinary circumstances (which, in life, there are always exceptional situations), this is the last novel I wrote.
However, “The Legend of the Condor Heroes” is not merely a typical martial arts novel; it cannot be defined as strictly historical fiction. When this novel was being published, there were many readers who sent letters questioning whether it was written by someone else. The realization that this work differed significantly from my previous works was quite a surprise. In fact, this novel was entirely my own creation. I am very grateful to the readers who cherished and were forgiving towards me, particularly when they disliked a certain work or chapter of mine and attributed it to “someone else wrote it,” while still offering compliments to me, which made me feel honored.
The Legend of the Condor Heroes 1992 Film Version
“The Legend of the Condor Heroes” is quite different from my earlier martial arts novels, as it is more profound. An author should not replicate their own style and forms; they must always strive to discover new creative avenues.
There are notable characteristics of “The Legend of the Condor Heroes,” as the protagonist, Guo Jing, embodies a contrasting perspective toward commonly accepted values. The characterization in martial arts novels typically portrays heroes in a specific light, but Guo Jing does not fit the mold. In this respect, the novel offers many unique features, and I feel fortunate for that.
However, the main character in the novel does not necessarily have to be “a good person.” One of the recurring themes in the novel is the complexity of human nature, with good characters having flaws and bad characters possessing redeeming qualities… all of which can be portrayed with depth. The historical context of Qing Dynasty China, with characters like Guo Jing, is not an unheard of narrative.
Actors who portrayed Guo Jing include (from left to right): Han Dong (2014), Chen Wei Jian (2000), Hu Ge (2008), Liu Zhi Wei (1984), and Trần Tiểu Xuân (1998).
Guo Jing is depicted as an idealistic character, whereas other characters do not always possess the same qualities. The interactions between characters often reveal deeper themes, and the author emphasizes the significance of their relationships. The character development is crucial, as Guo Jing’s weaknesses make him relatable, while his strengths embody the ideal hero.
If the characters in the novel are depicted in a modern context, it is essential to acknowledge that the conflicts and dilemmas they face are reflective of societal issues. The novel does not serve as a mere historical account but rather as a commentary on the human condition. Despite its shortcomings, “The Legend of the Condor Heroes” still resonates with readers, and I hope it continues to inspire future generations.
Latest Version of The Legend of the Condor Heroes 2014
I have written a martial arts novel that includes two long stories and three short stories. The titles of these works are often reflective of their themes, such as “The Great Sword and the Heavenly Secrets” and “The Heroic Journey of the Condor.” The character development is essential in these narratives.
The first serialized work was titled “The Legend of the Condor Heroes,” published in 1955, while the last was completed in January 1970. The effort to revise the work began in March 1970 and concluded in 1980, spanning nearly a decade. During this time, I undertook various other assignments, primarily focusing on journalism and the literary arts.
When encountering various literary critics, I often faced the question, “Which of my novels do I cherish the most?” This question is quite challenging to answer, so I usually refrain from responding. However, if the inquiry is about my favorite novels, I would definitely mention “The Legend of the Condor Heroes,” “The Return of the Condor Heroes,” and “The Heaven Sword and Dragon Saber.” Sometimes, I would hear someone ask, “Which of my works is the best?” and I would affirm it is indeed “The Legend of the Condor Heroes.” There are many distinctive elements that are entirely subjective. I truly appreciate this lack of consensus among readers.
