One Piece is a renowned long-running story filled with numerous theories related to the mysteries that captivate many dedicated fans. Among these theories is one regarding the legendary treasure One Piece, the will of D., and the intentions of the World Government… One particularly compelling theory involves the latent potential of the clown Buggy in the conclusion of the storyline.
Buggy always plays the role of a comedic character, yet his journey to becoming the Pirate King is quite notable. It is evident that Buggy has made appearances consistently from the beginning of the story to the very end. Although he may appear to be a minor character in the climax of One Piece, it is crucial to consider the strength and malevolence that he embodies.
Theories Regarding Buggy’s Malevolent Potential
Buggy is one of the first antagonists that Luffy encounters. His introduction occurs right at the beginning of the story, and he has a rather lengthy arc that the author meticulously develops. Due to his characterization resembling Mr. Satan from Dragon Ball, Buggy may hold a significant role in the overall plot of the story.
One reason supporting this theory is Buggy’s advancement in power, transforming him into the Pirate King and making him the leader of the newly formed Cross Guild, alongside Mihawk and Crocodile. Additionally, there are speculations that Buggy’s malevolent potential was initially meant for Luffy. This strength may play a pivotal role in the story created by Eiichiro Oda.
Many theories suggest that Buggy’s malevolent potential relates to a certain mythical fruit, similar to Luffy’s Gomu Gomu no Mi, which is linked to the Sun God Nika. Furthermore, Buggy must maintain his footing on the ground to harness the abilities of this malevolence, much like the connection to the Sacred Land of Pangea and the ancient Pangea above the ground, creating a new link that could lead to a divine confrontation.
This theory indicates that the actual essence of Buggy’s malevolent potential could play a decisive role in the conclusion of One Piece.
Author Eiichiro Oda has previously placed Buggy in a comedic role, reminiscent of Mr. Satan from Dragon Ball. This approach suggests that, despite his latent potential, Buggy might not achieve significant recognition within the narrative. With many diverse characters and intricate plot lines established, Oda may choose not to focus too heavily on Buggy while still allowing this character to maintain a lighthearted and comedic presence.
However, we cannot entirely dismiss Buggy’s involvement in the final act of One Piece, but we should refrain from getting too caught up in speculation.
